Watch IPSEITY online!

My film 'IPSEITY' is online and available to watch for free at www.watchipseity.com. It's been a long road to get here, and I'm excited to finally share it!

www.watchipseity.com

IPSEITY Online Premiere

IPSEITY will finally make it's way online on July 11th. A little less than a year after the cast and crew screening of the film, I want it to be available online for anyone to view. Stay tuned for the link to go live on the 11th. In the meantime, check out some of the scenes from the film, and I hope you'll return to watch the rest of it!

The year ahead...

Lots of things have been happening, and I've been almost too busy to post any updates.

As I mentioned several posts ago, I worked with Betaversity to document the launch of their first ever betabox at the Triangle Maker Startup Weekend in Raleigh on April 4th-6th. The weekend was incredible, and very busy, but I was able to capture some footage and edit this promotional video for the product:

Betabox: Mobile Learning-by-Doing from Betaversity on Vimeo.
Betabox is a customizable prototyping and ideation pod that can be delivered anywhere in the country. Perfect for educators, conferences, and events, these spaces cultivate and enable creativity, problem solving, and learning by doing.


In addition to all the work with Betaversity, I've been working on a number of my own projects - unfortunately, some of them can't be announced yet, but one of them will be making it's way online this summer, and another one will be going live at the end of the year. I'm very excited about them, and can't wait to share them with you. Be sure to follow me on twitter at @nicholas_sailer to hear the latest updates and news about my projects!

Promotional video for Tapestry and Triangle Maker Startup Weekend

I've been busy producing a number of short commercial pieces and promotional videos, and I want to share what I've been working on recently!

Below is a video that I shot and produced for Tapestry, an app for creating and sharing stories. Check out the app here.





Tapestry: Make Something Beautiful from Nicholas Sailer on Vimeo.
Everyone has a story. Share yours with Tapestry.

itunes.apple.com/us/app/tapestry-share-your-story/id568898959?ls=1&mt=8

Cinematography by Nicholas Sailer. Post-production by Sprinkle Labs.

In addition to creating some commercial and promotional pieces in NYC, I'm also headed to Raleigh, NC to shoot a promotional video with Betaversity and help launch their latest product, a mobile prototyping lab called a 'Betabox' at Raleigh's first ever Triangle Maker Startup Weekend.

This event is an innovation and entrepreneurship focused weekend for makers, engineers, and designers of all kinds. Stay tuned for pictures and video of the event!

Update

It's been a while since I last posted, but it's about time to give an update on the projects I'm working on.

This week I'll be headed to San Francisco with Betaversity, the prototyping makerspace startup that I worked with last fall to produce a short promotional piece. I've been working with Betaversity on various design projects since the launch of the UC Davis Betaspace, and they are an amazing team with big things ahead. In San Francisco, we'll be interviewing various hardware entrepreneurs at Techshop and Jawbone to create a documentary about hardware innovation and entrepreneurship. Stay tuned for pictures, video, and more exciting things ahead.

In addition to working with Betaversity, I've also done some promotional video work for a really great design thinking startup called The Design Gym. The Design Gym teaches and facilitates design thinking and innovation workshops for clients looking to innovate in their industry, and students looking to learn and explore design further. Stay tuned for a video of The Design Gym soon!

In addition to these video projects, I've been working on a number of other side projects, including a lot of writing (both short stories, treatments, and screenplay).

Stay tuned for more updates as these projects progress! In the meantime, check out my recently updated WEBSITE and portfolio.

'American Hustle' Film Review

American Hustle (2013)

Crime/Drama - 138 minutes

David O. Russell

I had been waiting to see American Hustle since before it was called American Hustle. The script was originally called ‘American Bulls***’, and after getting my hands on the screenplay, I was seized. The script was brilliant.

The finished film, however, proved to be very different from the screenplay – the only carry-overs were the character forms and the basic structure of the plot (being based on true events, the overall plot remained fairly unchanged). However, I can’t think of any scenes that remained the same from the screenplay to the film.

The strength of this film is the characters. The characters were an overwhelming force of nature. Even the smallest roles were often filled with distinct details and quirks that made the world feel real.

According to IMDB, David O. Russell encouraged his actors to delve into their characters, even when it meant drastically changing the plot during filming. When Christian Bale countered ‘"You realize that this is going to change the plot greatly down track." Director David O. Russell replied, "Christian, I hate plots. I am all about characters, that's it."

Overall, the film has a power that makes it a film that feels like it has the depth of a modern classic like ‘Goodfellas’. 

Despite the strength of this film, it does have a flaw that I think is worth discussing. 

Spoilers ahead:

The two lead characters (Christian Bale’s Irving Rosenfield and Amy Adams’ Sydney Prosser) were ruthless, cunning, dynamic con artists throughout the entire film, until the ending when, after they pull off their biggest con, they decide to become art gallery curators and live a quiet, subdued life.  I found this ending to be a forced, contrived arrangement so that the film could be wrapped and packaged with a bow on top.

The characters are such forces of nature that they don’t lose their energy as the film progresses – their energy escalates. This is not the issue, but it becomes an issue by the end of the film when the plot starts to come to a conclusion. By the end of the film, I felt like the characters should have kept going- the characters didn't want the film to end, but obviously, like all films, it had to. This caused an abrupt and rather non-cathartic ending.

The original screenplay by Eric Singer, though not as dynamic as the product on screen, had an ending that gave the entire film, or at least Christian Bale’s character – a much more poignant, direct meaning. 

In the end, American Hustle is more fun than American Bulls*** was. No doubt - See this movie. You won't regret it. But American Bulls*** had an ending that tied it all together with a more poignant meaning that I wish American Hustle had more of. 

Sneak Peek of the OPENING SCENE of IPSEITY

The opening scene of my first feature length film is now online!

I'm thrilled to finally be able to share some of the scenes from the film. Stay tuned in the next couple of days for another scene.



Exclusive Scene from IPSEITY introduced by Charles Allen from Nicholas Sailer on Vimeo.
Actor Charles Allen introduces a sneak preview of the opening scene of the independent feature film IPSEITY.

IPSEITY is the story of a government security agent who loses parts of his memory in a traumatic accident, must rebuild his identity and reconnect with his family while hunting down a criminal infiltrating the agency.

Directed by Nicholas Sailer, Cinematography by Paul Frateschi, Executive Produced by Matt Harris and Lisa Laurene.

From Silo 12 Productions and Absolute

Starring Charles Allen, Katherine Drew, Abigail Cornell, Greg Wait, Kimberly Paker, and Doug Nydick.

Betaversity Video

It's been a while since I posted anything, so I thought I'd give an update:

I've been working on a variety of projects, ranging from entrepreneurial startup projects (Betaversity) to a short sketch comedy commercial (To be announced soon). In the meantime, check out the finalized video from Betaversity:

Betaversity: Making Room for Creativity from Nicholas Sailer on Vimeo.

www.betaversity.com
www.twitter.com/betaversity
www.facebook.com/betaversity

Betaversity

This week, I visited UC Davis in California to help Betaversity launch their first ever Betaspace. Betaversity is a consulting firm that helps universities and other institutions create innovation spaces on campus. These innovation spaces include techology like 3d printers, 3d scanners, shopbots, smartboards and white boards. All of this technology in one space allows for some awesome creativity, which is what we saw when Betaversity launched the space with two hackathons this weekend!

In addition to these pictures, I also took footage for a promotional video, which will be posted sometime in the following weeks. Stay tuned!

Travels to UC Davis with Betaversity

This week I'll be traveling to UC Davis in California with the team behind Betaversity to help with the launch of the first ever Betaspace.

Betaversity is a startup formed by Lucas Arzola, Blake Marggraff, and my good friend Sean Maroni. They've since brought on another teammate, Michelle Lozada. Betaversity serves as a consulting firm that helps Universities and other institutions start innovation spaces.

Over the next week, I'll be documenting the launch of their first innovation space at UC Davis. Stay tuned for some great pictures as the Betaversity team takes the first step in their journey of entrepreneurship with their startup!

Film Critique: 'Klopka'

Klopka (The Trap) (2007)

Crime Drama – 106 minutes

Srdan Golubovic

I knew nothing about Klopka, (a Serbian word meaning ‘The Trap”) before I viewed it, and I’m can only wish that it was more well known. Though it is obscure and hidden from mainstream audiences, it is definitely a rare and unique film that is worth seeing several times.

Although I must confess I have a weakness for dramas with this high level of intensity, the most compelling element of this film is not the high tension or the plot twists. The aspect of this film that captured my attention the most was the cinematography.

The cinematography is not only unique and beautiful, but often times the compositions communicate the feeling of the film in ways that few other films do.  Director Srdan Golubovic and Director of Photography Aleksandar Ilic were not afraid to compose shots in ways that force the viewers to feel a certain way about what is happening. In addition to this, the compositions also have an artistic freedom that isn’t seen in most other films.

The film carries us through a twisted journey of a man faced with dark choices about his friends and family. This leads to a rather dark and depressing conclusion, but the story couldn't have ended any other way. 

If you enjoy Klopka, be on the lookout for the director’s following project, ‘Circles’, which was a part of Sundance in January 2013 and is Serbia’s submission to the Foreign Film category of the 2014 Academy Awards.

NYC, IFP Conference, and thinking like an Entrepreneur...

This past week I had the opportunity to attend several days of the IFP Film conference at the Lincoln Center in NYC.  Some of the panels held unique perspectives of the independent film industry, and I’ve pulled together some of what I thought were the best takeaways from the conference.

      1)   Filmmakers need to think of their films like an entrepreneur thinks of a startup.  Entrepreneurs focus intensely on market research, market data, target audiences, and the like. They do everything they can to discover who is going to use their product or service before they do anything to actually launch their business. They know specific price points about how much a certain target market is going to value their product or service. They find out as much data as possible from comparable businesses and competitors. If a previous business or startup in their industry failed, they know why, how, and they learn how to avoid those mistakes.

In the same way, independent filmmakers MUSt start to think of films in this way – Filmmakers should know their target market, they should study their audience. They should know who is going to want to see their film, and who is not part of that market.

      2)   Filmmakers need to think of their viewers as their customers – And value viewer relationships in the same way a business values customer relationships.

A company is able to exist and thrive because it can build a connection with it’s customers. If a customer isn’t satisfied with a product or service, they’ll go somewhere else to find it. In the same way, if a viewer isn’t satisfied with a film, they’ll find another film that they will be satisfied with. For this reason, one of a filmmakers most valuable resources is it’s viewer relationships.

One final interesting takeaway from IFP…

     3)   Data is changing everything

The film industry has been behind in terms of data collection in recent years. Many studios and film companies have not taken advantage of the opportunity of collecting data about their customers (viewers).  They know how many people went to the movies, how much money they made, but the details of who, when, where – their viewers ages, what they shop for online, what other movies they’ve watched, music that they listened to, and more remain unknown.

Netflix changes that. It is no coincidence that Netflix’s original series ‘House of Cards’ was so successful. Netflix collects data on viewers habits the way that Facebook collects data for advertisers. Targeted and specific.

As data collection becomes a larger part of the film industry, and with the rise of new technology and distribution platforms, their will be more and more opportunities for creative ways of reaching targeted and specific audiences.

Upcoming Films You're Going To Want To See

The next six months hold the release dates of some cinematically awesome films. These are the five films that you will want to see in the next six months.

-Gravity, Directed by Alfonso Cuaron, Oct. 4th

Why? The technology used to make this film is mind blowing. Also, James Cameron called it "The best space film ever done".

-Inside Lewllyn Davis, Coen Brothers, Dec 6th

Why? Because the Coen Brothers have proved they know how to seamlessly and artfully blend music, narrative, and striking period visuals together with films like "O Brother Where Art Though?", and "Inside Lewllyn Davis" will be capture a distinctive 

-American Hustle, David O. Russell, Dec. 13th

Why? Because director David O. Russell has had marvelous success in working with Bradley Cooper, Christian Bale, and Jessica Lawrence in the past, and the chemistry between the actors in this film is sure to be dynamite. Also, the script, which I have personally read an early draft of, is very compelling.

I predict that the last two films on this list will not receive as much popularity at the box office or the press, although  I predict that '12 Years a Slave' has a good run at winning some Academy Awards (My award predictions are an upcoming blog post - look for those soon).

- 12 Years a Slave. Steve McQueen, Oct. 18th

Why? Director Steve McQueen and Michael Fassbender have a chemistry like few other actors and directors do. Steve McQueen's raw and visceral style will be explosive when applied to this story and this setting. Michael Fassbender is also probably one of the best (if not the best actor currently in the industry).

- Her, Spike Jonze, Dec. 20th.
Why? Because Director Spike Jonze always has a unique view on the world, and it is always a view worth seeing.